11/14/2023 0 Comments Frame io premiere integration![]() All Rights Reserved.īoth Billy and Russell came to editing via creative and technical routes: Billy as an audio specialist and network online editor, and Russell with a background in both filmmaking and coding. Devotion tells the story of US airmen Jesse Brown (played by Jonathan Majors, left) and Tom Hudner (Glen Powell, right). But their connections came through even over Zoom, and thus the team was formed. In fact, not only had they not previously worked together, they hadn’t met in person until months into the project due to the pandemic. Many directors choose editors they have previously worked with and editors, in turn, with assistants they’ve had over the course of many films, but Devotion was the first tour for JD and Billy, as well as for Billy and Russell. On location for Devotion at Statesboro-Bulloch County Airport with original F4U Corsairs in the background. Similarly, when it came to assembling the tools for the project, JD relied on Billy and Russell to devise a workflow that would allow him to have the most hands-on approach possible while working through this ambitious and complex project. Beyond his motivation to honor Jesse and Tom’s story, as well as his father’s career, JD felt it was important to assemble a fleet of period-accurate aircraft with the intention of capturing as much footage in camera to replicate the feeling the pilots would have had inside them. Growing up with a father who was himself a naval aviator, JD was keen to direct Devotion, which is based based on the real-life bond between Jesse Brown, the first Black naval aviator, and his wingman, Tom Hudner, during the Korean War. You can also check out the extensive four-part interview Morgan Prygrocki conducted with Billy and Russell for the Adobe for Education YouTube channel, below. ![]() In this installment of Made in Frame, JD took us through his flight plan, while Billy Fox, ACE and assistant editor Russell August Anderson, stepped us through their process using Adobe Premiere Pro and Frame.io to stay on course throughout the production. ![]() So when talking about Black Label Media’s Devotion (now in theaters) directed by JD Dillard, it’s fitting that we talked to both the editor and AE. You could almost call the AE the editor’s most trusted wingman. Navigating through terabytes of footage, managing thousands of elements, and keeping a squadron of departments flying strategically in sync with one another are just a few of the responsibilities that allow the editor to focus on the creative cut. “This is the first step toward building a powerful, cloud-based platform for the future of video creation.Anyone who’s ever cut a complex project knows how much they depend on their assistant editors (AEs) to get the job done. ![]() “The combination of Premiere Pro and Frame.io gives customers the world’s only end-to-end solution for video creation from ingest to editorial to output,” said Steve Warner, vice president of Digital Video and Audio at Adobe. They can also use Frame.io accelerated file transfer technology for fast uploading and downloading of media with 100GB of dedicated Frame.io storage, work on up to five different projects concurrently with another remote user and work with Camera to Cloud – the “fastest, easiest and most secure way” to get footage from cameras to editors and other post workers. Now, as part of a Creative Cloud subscription, video creators can share work in progress with an unlimited number of reviewers anywhere in the world and get frame-accurate comments and annotations directly inside of Premiere Pro and After Effects, without leaving their timeline. With the introduction of Frame.io for Creative Cloud, video editors along with producers, agencies and clients – are able to collaborate seamlessly in the cloud. Adobe used the NAB Show to showcase the integration of its Frame.io video collaboration platform to Creative Cloud and released updates to After Effects and Premiere Pro, including native M1 support for After Effects.
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